Emily Tedrake

Glass Animals "Tokyo Drifting" (rubberband., dir.)

A multi-media video that's inspired by 90's-fighter-video games, stop motion animation and comic books.

rubberband., directors:  "We had a lot of fun taking outdated processes (everything from 16mm long exposure stop-animation to step printing) and blending them together in a relatively post heavy way. There’s a lot of vfx in the video that you wouldn’t notice outright. We sort of loved the idea of taking what most people would consider laughably old school and bringing it to life with people who are used to working with slick, CG heavy imagery. We just wanted to make something that translated all these influences and references into something original. And we feel pretty good about where we landed.

However long you plan to shoot stop motion, we’d recommend making it longer."

Michael Kiwanuka "You Ain't The Problem" (Leonn Ward, dir.)

‘You Ain’t the Problem’ is the first single to be taken from British singer-songwriter Michael Kiwanuka’s upcoming album ‘Kiwanuka’.

The video from director Leonn Ward was shot in the English countryside and captures the celebration, joy, release of self-doubt that the track offers.

Produced by Danger Mouse and Inflo, who previously worked with Kiwanuka on 'Love & Hate', ‘You Ain’t the Problem’ offers an intimate glimpse into the psyche of a man turning inwards to acknowledge a new chapter of self-love.

Michael Kiwanuka & Tom Misch "Money" (Louis Bhose, dir.)

local producer - javier alonso

focus puller - laurent poulain

2nd AC - jon c jon steadicam - amando crespo gaffer - mario lerma spark - david gomez spark - jaime massa art director - phoebe darling art dept asst - anna perez bosque stylist - thomas liam davis h&mu - patty marti movement coach - supple nam edit producer - alice clarke vfx - kevin marian conform - martin fickling grade - matthieu toullet colour house - MPC colour executive producer - leianna campbell

The 1975 "Sex" (Adam Powell, dir.)

The first version of this video had the younger Manchester quartet performing in black-and-white in a poster-and-picture-clad room. This version.... is different. How? It's in color. And it tells a narrative of two young lovers in a cinema-verite style, which doesn't appear to end well. The old cliche "sex, drugs, and rock 'n roll" is certainly apropos here.