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@questlove w an arsenal of 700+ songs its WAY easy to overlook a gem or two in Prince's songbook.… https://t.co/TniHhmlzdU 21 hours 14 min ago
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@JosephKahn I think I'm at the why the fuck does this guy have muscles phase of fitness. 9 hours 23 min ago
@JosephKahn The more delicious the food, the more fucked up the country. This is why Scandinavia is peaceful and the Middle East is a mess. 1 day 15 hours ago
@ROMAIN_GAVRAS La vie ne m' apprend rien 13 hours 47 min ago
@LilTunechi Kant forget my other Kampus Krash schools U of Fl, GA State, West Virginia, Bucknell, Slippery Rock 1 hour 47 min ago
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4x3

Van Halen "Hot For Teacher" (Pete Angelus, David Lee Roth, dir.) [1984]

"I think we spent less money making “Jump” than we did on having pizzas delivered to the set of “Hot for Teacher.” - Pete Angelus, co-director

The Van Halen videography has been upgraded and re-uploaded to YouTube under the VHTelevision banner — just in time for the new Live in Tokyo release. The crown jewel is, of course, "Hot For Teacher" which you can consider either misogyny or a masterpiece. Or both...

The Bluetones "After Hours" (Edgar Wright, dir.) -2002-

Director Edgar Wright is fresh off his music video for Pharrell's "Gust Of Wind", so, what better time than now for him (or I) to traipse through a back catalog that was largely unseen here in the US.

The Bluetones "After Hours" is a good example of the director being ahead of his time with a one-take video that casts kids into an homage/send-up of '20s gansterland.

Lionel Richie Talks "Hello" (Bob Giraldi, dir.)

Whether you view Lionel Richie "Hello" as the best or worst video of all time is akin to how you view 50 Cent's horribly awry first pitch at a Mets game: Yes, it's an abomination, an embarassment, but has any other baseball pitch this year — ceremonial or otherwise — been talked about anywhere near as much?

So, yes: "Hello" may make you cringe. It may be a rubberneck delight. But, you remember it. In fact, you love it. And so does Lionel, who shared some tales with Rolling Stone about it:

The story behind that is really simple. [Director] Bob Giraldi shocked me on "Hello." It was a straightforward love story and he said, "No I'm gonna make the girl blind." I said, "Why do we have to go that heavy? Just make it a love story." 

Then I get to the video shoot and there's this God-awful looking clay model of my head. I said, "Bob, this doesn't look like me." He said, "OK, we'll do the scene and we'll talk about this later, Lionel." We get to scene two and I said, "Bob, I see the bust here. It doesn't look like me." He says, "Scene two, now we're getting closer." It happens again with scene three and then finally we're getting right to shoot the scene where I discover that she's done it. I say, "Bob, it doesn't look like me." And he looks at me and says, "Lionel, she's blind!" [Huge laughter] And I said, "OK, I get it." 

Steve Perry and "Oh Sherrie" and the Park Plaza Hotel

I was watching director Robby Starbuck's new Akon "So Blue" video and my first thought upon seeing the Park Plaza Hotel Los Angeles location was, "Oh, shit," or rather, "Oh, Sherrie."

Yes, that famed staircase and gate were enshrined forever in Journey singer Steve Perry's solo debut, "Oh, Sherrie."

And, in a ludicrous factoid: The girl in that video is also named Sherrie — Sherrie Swafford — and was Perry's girlfriend at the time. Alas, she never became Sherrie Perry.

Lord Tariq and Peter Gunz "Deja Vu (Uptown Baby)" (Chris Robinson, dir.)

If my memory serves, this was the video that served as the breakout for director Chris Robinson

"Uptown Baby" was an unlikely hip-hop anthem based around a Steely Dan sample that made such an airtight case for The Bronx's supremacy as the birthplace of rap music that even a Mets fan would have to give it up.

Ironically, the video itself was shot at the Met's former Queens home, Shea Stadium — a fact that's apparent to anyone from the five boroughs, or a National League city. But it was a hit clip nonetheless, thanks to Lord Tariq and Peter Gunz looking big in the video, a who's who of NYC rap celeb cameos, a sweeping 360° camera move, and, of course, a very hot track.

Jamiroquai "Virtual Insanity" (Jonathan Glazer, dir.)

I don't think I'm bursting any bubbles here, but the floor in Jamiroquai "Virtual Insanity" is not moving.

The set is on wheels and it got pushed around on a plain grey floor by a bunch of grips. The camera was locked to the set, so what you see is an illusion. Seems like the floor is gliding Jamiroquai singer Jay Kay around as he does his gypsy-funk dance thingamajig, but it's really the "room" and the camera moving in tandem.

What about the couches? Sometimes they're bolted to the wall, so they seem to be still [actually they're moving], and sometimes they seem to glide across the floor [actually they're still].

And the bird and the bugs? That, I have no idea. But everything else here is correct, as it comes straight from an interview with director Jonathan Glazer.

Also unexplainable? The bathroom attendant version, or how the video made any sense at all as a Cup of Noodles commercial.

And what's really amazing was how big Jamiroquai and this song got in 1997, all thanks to a clever clip that:

  • Won multiple MTV VMAS, including Video of the Year
  • Made Jamiroquai the 1997 verion of OK Go —there's even a certain congruity in how both OK Go and Jamiroquai had to recreate their famous video performances for the VMA stage
  • And essentially defined Jamiroquai for the general public