There Grizzly Bear sit, in a church, crooning all beautifully and doe-eyed and pure. So pure, that you wonder if the lights inside them will burst through their heads and explode in sparks and flames. (Spoiler alert: That's exactly what happens) Director Patrick Daughters keeps things off-kilter through both simple techniques — ie: letting the camera linger on each band member for maximum discomfort — and also more complex trickery, like the way each band member's face seems squashed and mismatched to the point where the eyes are of Margaret Keane proportions. --> watch "Two Weeks"
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Grizzly Bear "Two Weeks" (Warp)
Patrick Daughters, director | Karen Lin, producer | The Directors Bureau, production co | The Mill, vfx
