@questlove Yeah, even after a 12 hour 3 gig workday (one of em being DJ gig) I still put in time to practice for… http://t.co/9VOvrI0MJz 1 day 3 hours ago
@JosephKahn It blows that as hard as I work out, the best I can achieve is Zoe Saldana's arms. 1 day 17 hours ago
@questlove lol @essencemag i did a 20 min interview explaining the logic of these choices. or the irony in the duets. what happened? lol 1 day 13 hours ago
@questlove @Aprilfoolchild perception that "i'm not doing enough" or "giving opportunities" or whatever roots caboose radar train you seem to miss 1 day 18 hours ago
@Videostatic It's @katyperry getting creatively wild in "This Is How We Do" video| @joelkefali, dir http://t.co/lfXJhawh3S http://t.co/41hmPKDdZ9 18 hours 6 min ago
@Videostatic Buckle up for the great @shekeepsbees "Is What It Is" video | Keith Musil, dir http://t.co/VbwOOx0cqR http://t.co/XDmzcqO2fL 1 day 20 hours ago
@katyperry That ice cream is so ashamed #moreshame “@lydiaacav: @katyperry twerk it ice cream twerk it” 17 hours 50 min ago
@JosephKahn RT @RennBrown: I've now seen both videos and there's no comparison... the director's cut of Britney's"Perfume" is a 100% intensely better e… 1 day 13 hours ago
@questlove hope you're watching @VH1 right now !! don't wanna miss the last part of #SoundClash 1 day 9 hours ago
@questlove @Aprilfoolchild again lol ....what is it you specifically want? better acts? i can do that but imma have to charge $200 per tick for that. 1 day 18 hours ago
@jus10p @newaustinite shit. You're right. Turning back around. 17 hours 58 min ago
@questlove @Aprilfoolchild if i can name about 20 people whom i gave opportunity to that NOW make more money than i do? well...*shrug* 1 day 18 hours ago
@A_Listermann Happy 3 year wedding (7 years together) anniversary to my best friend and partner for life LOVE YOU!!… http://t.co/VM6FqUtdhT 17 hours 21 min ago
@questlove Seth Herzog represents at my #PurpleRain screening & party at #SohoHouseNYC thezog http://t.co/KqEclponjl 1 day 9 hours ago

Azealia Banks "ATM Jam" (Clarence Fuller, dir.)

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