@JosephKahn Olympics are coming, so expect to see a shit ton of ads of athletes shot hand held scored to a piano with aspirational narrator. 1 day 19 hours ago
@iamdiddy RT @Ciroc: Here's to those setting off their #MemorialDayWeekend responsibly! https://t.co/ygRCG42BkJ 1 day 2 hours ago
@markromanek RT @MariaGiese: Strangers brought together in art. https://t.co/p1vkpQc6o2 1 day 17 hours ago
@iamdiddy If your in la watch this pls!!! The turn up is real!!!! https://t.co/4MW9wwp8BY 23 hours 4 min ago
@MuraiHiro RT @DigitalMartyn: The best music video ever made, according to @MuraiHiro #OFFF16 https://t.co/o9N0zLQITT 1 day 11 hours ago
@JosephKahn RT @allstn: I want to date an older man so I can watch him die 8 hours 46 min ago
@questlove RT @shondarhimes: When You're Accustomed To Privilege, Equality Feels Like Oppression https://t.co/jmWqOinp8K # via @HuffPostPol 1 day 7 min ago
@iamdiddy Let's GO!! Columbus,OH Cincinnati!Chicago! YOU'RE NEXT!! Get your tix before they sell out!! https://t.co/O0s1U8khv3 https://t.co/TSBOVzdAhl 6 hours 8 min ago
Lucid Media

A Rocket To The Moon "Never Enough" (Mark Staubach, Dir.)

Disney acrtress Debby Ryan and A Rocket To The Moon lead singer Nick Santino realize that love can't cure all in this beautifully shot and finished video that maintains its mystery while making its point very clear.

Mark Staubach, director: “This is a semi-autobiographical concept inspired by events in my own life.  The video follows the story of a young couple that runs away from home when the pain of a prolonged illness becomes too much to handle.  We intentionally left the story open ended - not specifying a specific illness, or outcome, opting to let the audience decide for themselves what is happening.

Because this was a passion project, I fought to shoot on sixteen-millimeter, which adds a lot of texture and weight to the image.  Photographer Johnny Ching and I have collaborated so much, I knew I could trust him to make the most of our available light.  Rik at Panavision Hollywood provided our "A" camera - an ARRI SR3, and a set of Zeiss speeds.  Aside from a few sync scenes, the entire video was shot at an elevated 36fps to soften the action a bit.  

We incorporated a split diopter as well as some telecine "glass pass" work on select scenes to create a bit of an etherial, dreamy quality.  This is most notable whenever anything medical appears on screen.”

Song
Director
Producer
Independent Representative
Director of Photography
Commissioner
Marshall Plante, Colorist
Debby Ryan, Producer

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