@Videostatic P!nk "What About Us?" (Georgia Hudson, dir.) https://t.co/3dWg4XJy5I #video #musicvideo 11 hours 22 min ago
@Videostatic RT @dennis_and_lois: Please help us reach our Kickstarter goal and bring this film to reality! Rock 'n roll! #dennisandlois https://t.co/p14 hours 1 min ago
@Videostatic RT @billboard: .@emilnava looks back on his road from craft services to directing videos for Ed Sheeran, Calvin Harris & more https://t.co/1 day 8 hours ago
@Videostatic LCD Soundsystem "tonite" (Joel Kefali, dir.) https://t.co/15LYT6zIeM #video #musicvideo 7 hours 46 min ago
@Videostatic Grizzly Bear "Mourning Sound" (Beatrice Pegard, dir.) https://t.co/gJQeSvnYID #video #musicvideo 1 day 14 hours ago
@Videostatic Hey Violet "Hoodie" (Jessie Hill, dir.) https://t.co/vNR13jkEP7 #video #musicvideo 1 day 7 hours ago
@Videostatic RT @RollingStone: Pink will receive the Video Vanguard Award at this year's #VMAs https://t.co/GG4ULdkddU https://t.co/oB02qKVHXn 1 day 12 hours ago

A Rocket To The Moon "Never Enough" (Mark Staubach, Dir.)

Disney acrtress Debby Ryan and A Rocket To The Moon lead singer Nick Santino realize that love can't cure all in this beautifully shot and finished video that maintains its mystery while making its point very clear.

Mark Staubach, director: “This is a semi-autobiographical concept inspired by events in my own life.  The video follows the story of a young couple that runs away from home when the pain of a prolonged illness becomes too much to handle.  We intentionally left the story open ended - not specifying a specific illness, or outcome, opting to let the audience decide for themselves what is happening.

Because this was a passion project, I fought to shoot on sixteen-millimeter, which adds a lot of texture and weight to the image.  Photographer Johnny Ching and I have collaborated so much, I knew I could trust him to make the most of our available light.  Rik at Panavision Hollywood provided our "A" camera - an ARRI SR3, and a set of Zeiss speeds.  Aside from a few sync scenes, the entire video was shot at an elevated 36fps to soften the action a bit.  

We incorporated a split diopter as well as some telecine "glass pass" work on select scenes to create a bit of an etherial, dreamy quality.  This is most notable whenever anything medical appears on screen.”

Song
Director
Producer
Independent Representative
Director of Photography
Commissioner
Marshall Plante, Colorist
Debby Ryan, Producer

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