January 2014

Katy B "Crying for No Reason" (Sophie Muller & Ross McDowell of Ben & Ross, dir.)

Katy B returns with a performance led visual to accompany her electronic yet emotional track 'Crying for No Reason'. With only lighting to compliment the British star the focus is on the voice almost as if performing to herself in a vacant club. This leaves a lot up to the lights with the show cleverly matching the vocals and beat. Simple yet effective, much like Katy B's emotive portrayal.

Talking Videos, Britney and more with Director Joseph Kahn

Director Joseph Kahn calls it one of his best videos, but notes that he's referring to the "unseen" version before correcting himself, rechristening it the "never to be seen" version.

He's referring to the Director's Cut of Britney Spears "Perfume," an unreleased version of the video that generated a whole lot of intrigue and interest online, including even a petition for its release. 

It was an unavoidable topic when Kahn and I recently connected to talk about his career and music videos in general. And although he's know to be outspoken and iconoclastic — how many other directors would have the sack to publicly declare that his cut of "Perfume" is not only the better video, but his best video ever? — he's also rarely full of shit.  And the Director's Cut of "Perfume" is indeed the kind of video that would have generated way more talk and controversy than the skirmish we've seen over whether the "Director's Cut" would be released or not. Trust me. Or, rather, trust Joseph Kahn. 

Read on for our conversation about all this and much more...

Sage The Gemini f/ Kool John "College Drop" (Suj, dir.)

Sage The Gemini just keeps dropping potential hit records. After the success of ‘Gas Pedal’ and ‘Red Nose’, he released this single ‘College Drop’ featuring his good buddy from HBK Kool John. Directed by SUJ, this video, should definitely help give him some push for this single, especially since he just released the ‘Gas Pedal’ remix with some no name artist named Justin Bieber.

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