@Videostatic Bastille "Good Grief (NSFW)" (NYSU, dir.) https://t.co/nhH1JkGzzd #video #musicvideo 1 day 7 hours ago
@JosephKahn Make a bunch of money over the years, then burn it all on a movie. Repeat. All good. 1 day 16 hours ago
@Videostatic RT @XXL: Kanye is selling tickets to a video premiere tomorrow https://t.co/818ybLeOIW https://t.co/7W9NVzZGyw 1 day 21 hours ago
@iamdiddy RT @billboard: Puff Daddy's sons to take over BET's "106 & Park" with song premieres & label announcement https://t.co/t5tVsTtoqQ https://t… 1 day 15 hours ago
@JosephKahn I AM SO FUCKING STOKED TO BE SHOOTING #BODIED. That is all. 1 day 11 hours ago
@questlove RT @okpshop: An all-time fav is finally back in stock! Check out @theroots leather brim embroidered strap back in the #OKPshop https://t.co15 hours 13 min ago
@markromanek Just posted a photo @ Nā Pali Coast State Park https://t.co/f2mULxpmUP 23 hours 15 min ago
@Videostatic Sigur Ros "Óveður" (Jonas Akerlund, dir.) https://t.co/07k2NgB3QS #video #musicvideo 14 hours 36 min ago
@iamdiddy The tradition has to continue!!! My son @kingcombs is getting ready to hit the @106andpark stage!! DIDDY.C… https://t.co/AJFnYscJTE 13 hours 27 min ago
@katyperry I'm grateful that I can use my spotlight to shine a ✨LIGHT✨ and keep elevating kindness ❤️ https://t.co/KyQVEbsJtL 1 day 17 hours ago
@iamdiddy BREAKING NEWS!!! My son @kingcombs is taking over @106andpark this Friday!! Tune in!! #FamilyFIRST #BADBOY4LIFE https://t.co/J96dbGfMau 1 day 15 hours ago
Lucid Media

Phaeleh "Whistling in the Dark" (Raquél Aly, dir.)

A beautiful b&w study of motion that's as beguiling as a Rorshach Test. 

Raquel Aly, director: "The first time I heard Phaeleh’s 'Whistling in the Dark' I was immediately moved by the track's capacity to instill a dark and sinister playfulness as well as a beautiful sense of longing which lapses into despair. And yet there is an elusive promise there. Something that teases and invites. I immediately recalled Norman McLaren’s 1960’s experimental masterpiece titled ‘Pas De Deux.’ His was the technique I wanted to explore, while creating a video as surreal and ghostly as the music. Giving some of the footage the kaleidoscope treatment, created a warped though balanced symmetry. Though I prefer the Directors-cut, I admit that blurring the dancer in the original release version, breathed a foetal mystery into her dance. And of course the black moor gold fish. There is something fantastic and primordial about this elegant creature. I couldn’t get enough of him"

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