@Videostatic Falling In Reverse "Just Like You" (Zach Merck, dir.) http://t.co/Xf6uSWyaxa 1 day 10 hours ago
@jus10p @Aurora_Hernandz Now if he can make my wallet explode, I will keep making them for him. #Hardcore #stagedad 6 hours 16 min ago
@hidavidwilson Thnks @Videostatic for making @royalblooduk 'Out of the Black' 1 of ur feb picks http://t.co/FtUX3dlG6C a short month with SO many good vids 1 day 9 hours ago
@iamdiddy RT @mrvideocris: Looking for a fresh graphic designer in LA ready to make amazing work with an amazing team. Email me chris@nuthn.com 1 day 23 hours ago
@questlove imma be real mad if Lear made that bowl plastic RT: @hexhatesu S/o to @questlove for the inspiration. https://t.co/aA1T1Z6DOv #DamnDamnDamn 17 hours 11 min ago
@JosephKahn No body can wrap their head around why I would spend all that money for a no profit short film. As if buying a yacht made any more sense. 7 hours 35 min ago
@iamdiddy Turn to #REVOLTGATE and catch @LovAndre new video "Party of the Year" now! 3 hours 53 min ago
@taylorswift13 New Romantics is FINALLY on iTunes!!!!!!!!! 1 day 3 hours ago
@jus10p Southern California winter apparel. @ 'The Jungle' Beach, Playa Del Rey https://t.co/RI5aFuq1ol 13 hours 12 min ago
@davidguetta RT @OliverHeldens: Excited to support your tour in Germany in June @DavidGuetta!My single Last All Night (Koala) just got released there ht… 16 hours 12 min ago
@taylorswift13 THIS IS THE BEST THING I HAVE EVER SEEN. http://t.co/4bNzbBdcsX 1 day 9 hours ago
@ROMAIN_GAVRAS RT @mdiplo: Eric Rouleau : « Le bien, le mal et le “terrorisme” » http://t.co/T0ZUzYrkUC 20 hours 26 min ago

Phaeleh "Whistling in the Dark" (Raquél Aly, dir.)

A beautiful b&w study of motion that's as beguiling as a Rorshach Test. 

Raquel Aly, director: "The first time I heard Phaeleh’s 'Whistling in the Dark' I was immediately moved by the track's capacity to instill a dark and sinister playfulness as well as a beautiful sense of longing which lapses into despair. And yet there is an elusive promise there. Something that teases and invites. I immediately recalled Norman McLaren’s 1960’s experimental masterpiece titled ‘Pas De Deux.’ His was the technique I wanted to explore, while creating a video as surreal and ghostly as the music. Giving some of the footage the kaleidoscope treatment, created a warped though balanced symmetry. Though I prefer the Directors-cut, I admit that blurring the dancer in the original release version, breathed a foetal mystery into her dance. And of course the black moor gold fish. There is something fantastic and primordial about this elegant creature. I couldn’t get enough of him"

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