@iamdiddy RT @kewanlewis23: My kids and rib they keep me real @iamdiddy: Who has had the greatest impact on your life? why? http://t.co/hy5X8PHIIY 1 day 11 min ago
@LilTunechi Clay pitched a good game 1 day 5 hours ago
@jus10p RT @unashamedIy_rev: No time for Starbucks? Let a cat spray in your mouth. 21 hours 5 min ago
@davidguetta RT @nervomusic: @davidguetta thanks for having us this season David! #GuettaCollege was really something else!! Xx 1 day 1 hour ago
@JosephKahn RT @ScottMendelson: Jennifer Lawrence Nude Photo Leak Isn't A "Scandal." It's A Sex Crime. http://t.co/mkh7UpqFDO via @forbes by @ScottMend8 hours 2 min ago
@iamdiddy RT @KwaneleKhemese: "@iamdiddy: Who do you think stands between you and happiness?" In my opinion its just a mindset, change it and everyth… 1 day 19 hours ago
@jus10p I'm putting all my nudes on ICloud right now. 20 hours 40 min ago
@iamdiddy "That’s why I wear shades, because if you look at my eyes, my eyes don’t lie.” -Sean "Diddy” Combs… http://t.co/OnnDslDCpr 23 hours 44 min ago
@iamdiddy RT @Kylla_Cam: Myself. No one can't take my happiness except me... And these Student Loans. "@iamdiddy: Who do you think stands between you… 1 day 19 hours ago
@JosephKahn RT @mralexxmiller: @JosephKahn boo all we want is tampon commercial 1 day 20 hours ago
@LilTunechi RT @MouseMyers: Onna Tour Bus Wit @LilTunechi At Da Drake Vs Wayne Show #MT2 http://t.co/wlFB5NRjyX 21 hours 43 min ago
@iamdiddy LIFE is why you are here, and nothing is more important. 1 day 6 hours ago
@katyperry Mantra of the moment, Monument: https://t.co/rsJfoj2P0T 1 day 55 min ago

Phaeleh "Whistling in the Dark" (Raquél Aly, dir.)

A beautiful b&w study of motion that's as beguiling as a Rorshach Test. 

Raquel Aly, director: "The first time I heard Phaeleh’s 'Whistling in the Dark' I was immediately moved by the track's capacity to instill a dark and sinister playfulness as well as a beautiful sense of longing which lapses into despair. And yet there is an elusive promise there. Something that teases and invites. I immediately recalled Norman McLaren’s 1960’s experimental masterpiece titled ‘Pas De Deux.’ His was the technique I wanted to explore, while creating a video as surreal and ghostly as the music. Giving some of the footage the kaleidoscope treatment, created a warped though balanced symmetry. Though I prefer the Directors-cut, I admit that blurring the dancer in the original release version, breathed a foetal mystery into her dance. And of course the black moor gold fish. There is something fantastic and primordial about this elegant creature. I couldn’t get enough of him"

Artist
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