@JosephKahn @RennBrown To grow a beard, watch THE FLASH, and do white guy stuff. 1 day 18 hours ago
@JosephKahn Listen people, you cannot troll a troll. I am untrollable. 1 day 13 hours ago
@questlove wait wait wait wait wait whoa whoa Darry Dawkins passed away!?!? 1 day 18 hours ago
@jus10p I don't understand Olive Bars. 8 hours 4 min ago
@markromanek RT @olliemasters: This is a pretty cool analysis of the Coen's amazing A Serious Man http://t.co/mMlPKcKqoG 1 day 18 hours ago
@JosephKahn Editor @chanclervhaynes, DP Christopher Probst, Colorist davehussey marvel as WILDEST DREAMS video… https://t.co/ET1K9ZuSDx 1 day 19 hours ago
@A_Listermann @BB8H your profile picture is on point! 17 hours 48 min ago
@jus10p Every dog has his day and that day was yesterday. #NationalDogDay 1 day 22 hours ago
@questlove RT @okayplayer: LA: This Sunday @kissngrind presents @questlove x #MichaelJackson = Remember The Time #4. http://t.co/WNOrBGKIGf http://t.c… 1 day 18 hours ago
@JosephKahn @nicknunziata I just wanted to keep this tweet simple and racist. 8 hours 20 min ago
@taylorswift13 Say you'll remember me Standing in a nice dress Staring at the sunset, babe #WildestDreamsMusicVideo @ScottEastwood http://t.co/0IIxp1WSnz 11 hours 21 min ago
@jus10p Naming your company "_____ Content" is the new "_____ Productions" 20 hours 48 min ago
@JosephKahn Let's feel old! When my Eminem Without Me video won VMA VOTY, a lot of Taylor Swift fans weren't even born yet. https://t.co/t2rDs0hFxN 20 hours 7 min ago
@markromanek @MutinyCo A reasonable observation. It just seems odd to be sitting in a cinema and be told "Don't come back here Thursday night at 9pm!!" 1 day 12 hours ago
@JosephKahn Some reading material as I finish post production on #ToothPasteCommercial today. http://t.co/lTz165LOaD 19 hours 10 min ago

Phaeleh "Whistling in the Dark" (Raquél Aly, dir.)

A beautiful b&w study of motion that's as beguiling as a Rorshach Test. 

Raquel Aly, director: "The first time I heard Phaeleh’s 'Whistling in the Dark' I was immediately moved by the track's capacity to instill a dark and sinister playfulness as well as a beautiful sense of longing which lapses into despair. And yet there is an elusive promise there. Something that teases and invites. I immediately recalled Norman McLaren’s 1960’s experimental masterpiece titled ‘Pas De Deux.’ His was the technique I wanted to explore, while creating a video as surreal and ghostly as the music. Giving some of the footage the kaleidoscope treatment, created a warped though balanced symmetry. Though I prefer the Directors-cut, I admit that blurring the dancer in the original release version, breathed a foetal mystery into her dance. And of course the black moor gold fish. There is something fantastic and primordial about this elegant creature. I couldn’t get enough of him"

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