@questlove language Bristol Palin language! http://t.co/XHSqpMEqK6 1 day 20 hours ago
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@JosephKahn Wanna see me do my photographer thing? http://t.co/3rAeGrEV8o 7 hours 23 min ago
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@JosephKahn Here's a Target Spot I shot for Taylor Swift in NYC: https://t.co/jhvIaCPVdT 1 day 16 hours ago
@questlove knowledge me aw man!!!!!! #DefJam #BowlTrain @brooklynbowl tonight! 13 hours 36 min ago
@jus10p @chrisclav I read that if you have an STD you can't get it. So I should be good x4. 6 hours 15 min ago
@questlove Don't believe the hype. We are open. #BowlTrain bowling alley mentioned was another alley not… http://t.co/kVwTu1s0P3 7 hours 26 min ago
@Mech_nimal WATCH IT: Mechanimal "We Come Alive" (John Karabelas, dir.) http://t.co/WWNGJD6i5t via @VideoStatic 1 day 17 hours ago
@Videostatic WATCH IT: An amazing music video by @VaniaHeymann that pays tribute to the art of the album http://t.co/QPfnwGfJQ3 http://t.co/M2qauDKG0s 15 hours 27 min ago
@JosephKahn RT @PromoNewsTV: 1st MusicVidFest takes place at BFI Southbank in London on Nov 10th, with Joseph Kahn the keynote speaker http://t.co/91Qf1 day 19 hours ago
@taylorswift13 Thank you to the thousands of people who came to Hollywood Blvd to watch us play. It made me so emotional, you have no idea. Love you. 2 hours 49 min ago
@JosephKahn Ebola has killed only 1 American? North Korean nukes have killed 0 Americans. I guess North Korea should have all the nukes it wants. 1 day 4 hours ago

Phaeleh "Whistling in the Dark" (Raquél Aly, dir.)

A beautiful b&w study of motion that's as beguiling as a Rorshach Test. 

Raquel Aly, director: "The first time I heard Phaeleh’s 'Whistling in the Dark' I was immediately moved by the track's capacity to instill a dark and sinister playfulness as well as a beautiful sense of longing which lapses into despair. And yet there is an elusive promise there. Something that teases and invites. I immediately recalled Norman McLaren’s 1960’s experimental masterpiece titled ‘Pas De Deux.’ His was the technique I wanted to explore, while creating a video as surreal and ghostly as the music. Giving some of the footage the kaleidoscope treatment, created a warped though balanced symmetry. Though I prefer the Directors-cut, I admit that blurring the dancer in the original release version, breathed a foetal mystery into her dance. And of course the black moor gold fish. There is something fantastic and primordial about this elegant creature. I couldn’t get enough of him"

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