@iamdiddy RT @EverythingJassy: The @Ciroc commercial with Al Green is so smooth ! Genius 1 day 13 hours ago
@A_Listermann Today's plans..Win more and keep away from "they" (Khaled voice) 1 day 19 hours ago
@katyperry Excited to celebrate & cheer on our musical community this wknd w/the birth of The Creators: https://t.co/AVxv089eL6 https://t.co/4lhClxOoaB 18 hours 37 min ago
@iamdiddy RT @D13erry: I love the ciroc apple commercial 1 day 13 hours ago
@kanyewest 4th Bitch is an endearing term in hip hop like the word Nigga 1 hour 57 min ago
@iamdiddy RT @OfficialBangham: Just seen an Apple Cîroc commercial! Instantly thought... "Celebrate Success Right." @djkhaled 1 day 13 hours ago
@BrunoMars Our tv broke in our dressing room so we snuck in @ladygaga room to watch her sing The National Anthem. She Killed it! 1 day 19 hours ago
@iamdiddy RT @iamtkk: @Ciroc @iamdiddy The looks so cool! Ahhhh. 1 day 13 hours ago
@JosephKahn Misogyny is accepted as long as you put a beat to it. 14 hours 21 min ago
@questlove Remember today is last day to vote for my sis @Donn_T for #ArtistOfTomorrow at #GrammysLive! Simply *click* thanks! https://t.co/vpsRorCFOO 1 day 12 hours ago
@questlove Aight @KiplingUSA help a bruh out. This bag has been my #Linus blanket for 20+ years. All over… https://t.co/HhzMkwpn2a 1 day 12 hours ago
@iamdiddy RT @riplild__: That apple ciroc commercial is everything #love & #happiness 1 day 13 hours ago
@flo_tweet RT @WarChildUK: LESS THAN 2 HOURS LEFT to enter to see some incredible gigs over the next few weeks https://t.co/YOOVT9dZ3M https://t.co/nV1 day 16 hours ago

Phaeleh "Whistling in the Dark" (Raquél Aly, dir.)

A beautiful b&w study of motion that's as beguiling as a Rorshach Test. 

Raquel Aly, director: "The first time I heard Phaeleh’s 'Whistling in the Dark' I was immediately moved by the track's capacity to instill a dark and sinister playfulness as well as a beautiful sense of longing which lapses into despair. And yet there is an elusive promise there. Something that teases and invites. I immediately recalled Norman McLaren’s 1960’s experimental masterpiece titled ‘Pas De Deux.’ His was the technique I wanted to explore, while creating a video as surreal and ghostly as the music. Giving some of the footage the kaleidoscope treatment, created a warped though balanced symmetry. Though I prefer the Directors-cut, I admit that blurring the dancer in the original release version, breathed a foetal mystery into her dance. And of course the black moor gold fish. There is something fantastic and primordial about this elegant creature. I couldn’t get enough of him"


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