@JosephKahn You are in a bicycle race with an extraterrestrial alien. Alien is run over by a truck and dies. What is your first meal after the accident? 1 day 22 hours ago
@davidguetta RT @ultra: Thank you so much Ultra South Africa! See you next year!! https://t.co/FFKtcVzWjl 1 day 10 hours ago
@JosephKahn I dunno. I see tourists drive past my neighborhood all the time. They're much fatter. Hmmm... 17 hours 20 min ago
@questlove Yoooooo I'm like.... 15 hours 23 min ago
@jus10p Faye Dunaway just called to let me know I won the lottery! #Oscars 3 hours 25 min ago
@questlove Rotf, they were just gonna let us believe senility was the case of #Envelopegate huh? Producers shoulda been like "we gave wrong envelope" 7 hours 49 min ago
@katyperry KATY HERE. I lost a bet for best picture (I wanted moonlight... 15 hours 31 min ago
@jus10p @realDonaldTrump Does this mean you will? Fake news? 1 day 22 hours ago
@questlove RT @VanityFair: The true story behind #HiddenFigures' heroic protagonist Katherine Johnson https://t.co/guk9Nb6W1x 18 hours 32 min ago
@diddy Sunday Fun day going down like this!! S/O my girl @MonicaBrown in the house!! https://t.co/f4GeRfeoOP 18 hours 9 min ago
@questlove lol at that supermarket #Happy going to commercial. 15 hours 42 min ago
@JosephKahn Oscar is a naked man in Hollywood holding a sword over his dick. AKA homeless. 22 hours 53 min ago
@jus10p Negan to Dr. Carson.... "you're fired!". #WalkingDead 14 hours 22 min ago

Phaeleh "Whistling in the Dark" (Raquél Aly, dir.)

A beautiful b&w study of motion that's as beguiling as a Rorshach Test. 

Raquel Aly, director: "The first time I heard Phaeleh’s 'Whistling in the Dark' I was immediately moved by the track's capacity to instill a dark and sinister playfulness as well as a beautiful sense of longing which lapses into despair. And yet there is an elusive promise there. Something that teases and invites. I immediately recalled Norman McLaren’s 1960’s experimental masterpiece titled ‘Pas De Deux.’ His was the technique I wanted to explore, while creating a video as surreal and ghostly as the music. Giving some of the footage the kaleidoscope treatment, created a warped though balanced symmetry. Though I prefer the Directors-cut, I admit that blurring the dancer in the original release version, breathed a foetal mystery into her dance. And of course the black moor gold fish. There is something fantastic and primordial about this elegant creature. I couldn’t get enough of him"

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