@taylorswift13 This mad mad love makes you come running... #TS1989 #taylurking http://t.co/wtTinHbVeh 11 hours 25 min ago
@questlove i let my anger at the perceived demonization i saw in that video (briefly) blind me before i saw the bigger pic. 8 hours 26 min ago
@JosephKahn Watching video director inteviews. Words they use: Transformative. Oppressive. Vulnerable. Introspective. Words I use: Ugh. Huh. Wut. 1 day 12 hours ago
@taylorswift13 That's how it works. That's how you get the girl. #TS1989 #taylurking http://t.co/kQ2qKUctsM 1 day 1 hour ago
@jus10p There are so many beautiful parks across the country. The only one that the government should think about getting rid of is Linkin. 21 hours 1 min ago
@JosephKahn Buzzfeed Quiz: which popstar fanbase has the most blocked assholes. 17 hours 1 min ago
@taylorswift13 Karlie and I had the time of our lives at the Knicks game tonight. See you tomorrow bright and early… http://t.co/g13Kskzt1b 10 hours 37 min ago
@taylorswift13 @HAIMtheband this tweet made me so happy, I forgot for a minute that I'm up at 5am and just did a little awkward celebratory dance. As I do. 5 hours 10 min ago
@taylorswift13 We're too busy dancing to get knocked off our feet. #TS1989 #taylurking http://t.co/COEE1tbkXw 1 day 9 hours ago
@Videostatic WATCH IT: @ShamirBailey "On The Regular" music video | Anthony Sylvester, dir @CUTSDATFLO http://t.co/x1T5tOVqlt 1 day 14 hours ago
@questlove @BrianAcostaArya I'm not ashamed of any song I've done. and I'm STILL fresh. 1 day 2 hours ago

Phaeleh "Whistling in the Dark" (Raquél Aly, dir.)

A beautiful b&w study of motion that's as beguiling as a Rorshach Test. 

Raquel Aly, director: "The first time I heard Phaeleh’s 'Whistling in the Dark' I was immediately moved by the track's capacity to instill a dark and sinister playfulness as well as a beautiful sense of longing which lapses into despair. And yet there is an elusive promise there. Something that teases and invites. I immediately recalled Norman McLaren’s 1960’s experimental masterpiece titled ‘Pas De Deux.’ His was the technique I wanted to explore, while creating a video as surreal and ghostly as the music. Giving some of the footage the kaleidoscope treatment, created a warped though balanced symmetry. Though I prefer the Directors-cut, I admit that blurring the dancer in the original release version, breathed a foetal mystery into her dance. And of course the black moor gold fish. There is something fantastic and primordial about this elegant creature. I couldn’t get enough of him"

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