@BrunoMars Blaisdell Arena Tonight! live music by Papa Mars @TheGreen808 and ya boy!! Honolulu night 2!!! LETS GO!!!! #808StateHooligans 1 day 9 hours ago
@This_is_Frank RT @Pharrell: Thank you @syndromestudio, you guys went above and beyond for me on @coachella. 13 hours 58 min ago
@jus10p @ELLEmagazine I think that hair dye made the skin on her forehead have an allergic reaction. #zits 10 hours 9 min ago
@jus10p @Venice311 there must be some shit going down at Dockweiler. About 8 LAPD SUV's just flew up Vista del Mar headed that way. 1 day 8 hours ago
@JosephKahn If your parents knew how much sex you were getting off Tinder, they'd join Tinder too. 11 hours 49 min ago
@questlove Who but Record Collector To The Producers Gene Brown would set up his entire operation in the hallway… http://t.co/BLDKkc31GF 14 hours 53 min ago
@iamdiddy deleontequila is coming !!!!! The Best tequila in da WORLD!!! It's just another level!!!! Limited… http://t.co/OtjWlWkP10 1 day 12 hours ago
@syndromestudio RT @Pharrell: Thank you @syndromestudio, you guys went above and beyond for me on @coachella. 13 hours 21 min ago
@jus10p Dana Point has shitty shitty views. @ Laguna Cliffs Marriott Resort & Spa http://t.co/RwvLHdVdpN 1 day 10 hours ago
@JosephKahn Just watched SOME LIKE IT HOT for the first time. Best last line ever in any movie ever. 1 day 11 hours ago
@JosephKahn Should I see TRANSCENDENCE? I am a big fan of trannies. 1 day 14 hours ago
@Ray_Kay Her er en liten påske-påminnelse om å tune inn på EVENTYRLIGE NORDMENN på TV2 i kveld kl 20 for å bli… http://t.co/3SbcOfoyx1 21 hours 46 min ago
@JosephKahn How dare you, fat Asian Wonder Woman. 1 day 18 hours ago

Phaeleh "Whistling in the Dark" (Raquél Aly, dir.)

A beautiful b&w study of motion that's as beguiling as a Rorshach Test. 

Raquel Aly, director: "The first time I heard Phaeleh’s 'Whistling in the Dark' I was immediately moved by the track's capacity to instill a dark and sinister playfulness as well as a beautiful sense of longing which lapses into despair. And yet there is an elusive promise there. Something that teases and invites. I immediately recalled Norman McLaren’s 1960’s experimental masterpiece titled ‘Pas De Deux.’ His was the technique I wanted to explore, while creating a video as surreal and ghostly as the music. Giving some of the footage the kaleidoscope treatment, created a warped though balanced symmetry. Though I prefer the Directors-cut, I admit that blurring the dancer in the original release version, breathed a foetal mystery into her dance. And of course the black moor gold fish. There is something fantastic and primordial about this elegant creature. I couldn’t get enough of him"

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