@dougstern RT : “It’s a folk singer’s job to comfort disturbed people and disturb comfortable people.” Happy birthday ! https://t.co/RD2vEpKnOs 1 day 17 hours ago
@questlove RT : I’ve tweeted it before & I’ll tweet it again? Does anyone give a damn about the preservation of black music history… https://t.co/4djRuPiciO 23 hours 28 min ago
@Diddy RT : Diddy and MTV are bringing back Making The Band https://t.co/zuGO7xe0sV 22 hours 10 min ago
@JosephKahn Girls, here is my wisdom to impart to you: Find a rich guy who loves you and doesn't want to control you and yes h… https://t.co/ZSDpcHZuDF 9 hours 43 min ago
@Diddy RT : 's hit show, , is making a comeback for 2020! https://t.co/7bYLGw4KZe 22 hours 8 min ago
@dougstern Sweet galloping crapstacks, has any phrase in any language ever been asked to do more heavy lifting than 2019-era "… https://t.co/timEJNcdcl 41 min 25 sec ago
@Diddy RT : In 2020, Diddy’s “Making the Band” is coming back to . FYI, these are still the five greatest rappers of all t… https://t.co/i4sJ4vvN8f 16 hours 37 min ago
@Diddy RT : 🚨🚨 It's official. "Making the Band" will return in 2020 https://t.co/BkFSx37xEQ https://t.co/0z9K1Yu17z 22 hours 26 min ago
@questlove yes the impossible meat based sandwich is indeed plantbased. currently searching for a vegan cheese to make this mi… https://t.co/AcmX3kaeGK 19 hours 47 sec ago
@davidguetta Back from my show in ! I've been a DJ for 60 years and I still love it. July 15 2040 https://t.co/IS0BqJ4Roz 40 min 51 sec ago
@Diddy RT : Sean ‘Diddy’ Combs and MTV are reteaming to bring back iconic music-competition series for premiere… https://t.co/RUgULqZ4Vq 22 hours 44 min ago
@Diddy You guys are bringing back memories with these clips!!! https://t.co/A01jadQg6r 22 hours 32 min ago
@JosephKahn If you ever want to insult a commercials director, say their work looks like tier 3 automotive. 16 hours 1 min ago
@questlove we can't dismiss what became of The Source in Oct 94. the musical chairs of Vibe eic wasn't helping… https://t.co/51NzWDsJYm 19 hours 51 min ago

The Aftermath: Beyonce Scores Huge Critical and Commercial Hit with Visual Album

"Self-Titled" Part 1 . The Visual Album

Beyonce, Beyonce, Beyonce. Friday was all about the pop star thanks to the Kamikaze release of a visual album that broke all the rules: No set-up, no radio, no traditional press, no retail version (yet), no proper single or focus track, and a video for every song and then some.

How'd it do?

Numbers wise it looks like a smash: Billboard editor Bill Werde is reporting she's sold approx 600k units via the iTunes exclusive making for a #1 chart debut even though it only had three sale days in the charting window:

Creatively? Most of the rapid reviews were stellar. The sure-to-be forthcoming thinkpieces will likely be the same.

Looking back at the videos, it's interesting to see how they actually do hold together as a Visual Album. There's not a true narrative that runs throughout, but there are recurring themes and imagery, in addtiion to an overall emotional journey (much like any great album). In this case, it's a loose three act arc: Beyonce revisiting her childhood pressures at beauty pageants and talent shows, then finding her confidence, and finally a pivot onto her own daughter and starting fresh.

None of the videos except for "Drunk In Love" are yet available in full online — only via iTunes — but here's the full rundown with stars to indicate the especially recommended clips, although every one of these videos are all full-on productions and damn good in their own rights:

BEYONCE - 17 Videos

**** "Pretty Hurts" (Melina Matsoukas, dir.) — This first video sets the tone perfectly with Beyonce grappling with childhood memories and pressures.

"Ghost" (Pierre Debusschere, dir.) — A celebration of beauty and the body.

"Haunted" (Jonas Akerlund, dir.) — A detour into a bizarre bordello of sorts...

**** "Drunk In Love" (Hype Williams, dir.) — Beyonce and Jay getting close on a nighttime beach stroll, in the Herb Ritts b/w beauty tradition.

"Blow" (Hype Williams, dir.) — Rollergirls and videogirls...

"No Angel" (Lil Internet, dir.) — A gritty street video set in her Houston hometown...

**** "Yonce" (Ricky Saiz, dir.) — A slicker street fashion vibe directed by Ricky Saiz (not a traditional music video name, but someone very well-known in the style worlds via his role at Supreme)

"Partition" (Jake Nava, dir.) — A fantasy about how Beyonce can get her man's attention. Spoiler alert: It involves a limo and lingerie. 

"Jealous" (Beyonce, Francesco Carrozzini, Todd Tourso, dir.) — Same initial set-up as "Partition" but the fantasy is much more emotional than carnal.

**** "Rocket" (Beyonce, Ed Burke, Bill Kirstein, dir.) — Another b/w beauty piece, but intensely intimate.

**** "Mine" (Pierre Debusschere, dir.) — Where the album makes the pivot from being inwardly focused to thinking about motherhood, made very clear with the Mother Mary imagery.

"XO" (Terry Richardson, dir.) — A fun day break at Coney Island.

"Flawless" (Jake Nava, dir.) — A look back in anger at her childhood — this time focused on a fail Star Search appearance.

"Superpower" (Jonas Akerland, dir.) — A redirection of that anger as Beyonce leads a Los Angeles rebellion.

"Heaven" (Beyonce, Todd Tourso, dir.) — The fanbase takes this spiritual track/video as being about a rumored miscarriage, which makes sense especially when taken in context with the next video..

"Blue" (Beyonce, Ed Burke, Bill Kirstein, dir.) — Beyonce and her daughter Blue Ivy, plus shots of a Favela filled with energy and love...

"Grown Woman" (Jake Nava, dir.) — A bonus video for a song premiere via her Pepsi campaign, that mixes up memories with the present tense 

Artist
Tags: Beyonce, Blog

Recent Tweets