Welcome to JoJo Siwa's Guilty Pleasure House where there's some sly, transgressive nods to her child stardom, especially via the stying, but largely focuses on the new direction she embarked on with her internet breaking video for "Karma".
Just when you think it's just a Rosie The Riveter equality statement, we get hit by a very Internet middle section followed by an ending sequence that's truly superhuman and gleefully unrestrained. Welcome back, Katy.
A tribute to the universality of music told through sign language by guest artist Natasha Ofili, a performance at Athen's ancient Odeon of Herodes Atticus, and the song itself, of course.
