It's midnight and things are getting magical at Taylor's place: Clouds roll in, lavender sprouts from the floor, and she loses herself amidst the changing scene and the billowing haze.
Cameos abound — most notably Haim, actress Laura Dern, producer Jack Antonoff — in this Cinderella story where "House Wench Taylor" takes her shot at the glamorous life.
Taylor Swift's Midnights era starts appropriately enough with a parody of classic horror tropes, but then gets increasingly complex, with setups ranging from an elucidating confrontation with another version of herself, a depiction of the social awkwardness that comes from being so "big," and a mid-video funeral segment.
Nothing iffy about this cinematic clip from director Joseph Kahn for Chris Brown, which features lots of action and some next-level choreography and vfx.
A surprise release from Taylor Swift that also might be surprising in its embracement of indie folk vibes. The video itself is a magical journey, with the piano serving as a portal to new territories.
The perfect pairings of the Jonas Brothers and their wives pay equally perfect tribute to classic scenes from Risky Business, Grease and Say Anything in this energetic blast of a music video (and that's without even mentioning the awesome role played by Matthew Modine).
Madison Beer’s new single “Hurts Like Hell ft. Offset” makes its debut today in an intense new music video directed by Lord Danger’s Mike Harris. Concepted by Madison and Harris, the piece harnesses the emotional power of Beer’s song in a story of abuse upended by a mightier force. Fear of emboldened women has been politically framed as witchcraft for centuries, and “Hurts Like Hell” confronts this directly.
