A twofer of a video for Everthing Now tracks "Put Your Money On Me" and "We Don't Deserve Love." The "Money" side is a bit more fun, featuring a cameo by Toni Collette as the corporate exec who lures the band into crass commercialization — perhaps as a means to pull off a casino heist? — but the lonesome "Love" side might prove to be more resonant in the long run.
A police helicopter keeps watch over the actions in the city below, zeroing in on a young boy who's more befuddled by the intrusion than scared or paranoid.
"Love U Better" could be described as just a "house party" video, but that wouldn't clue you into the foreboding dread that plays a role just as powerful as the stylish sexy side.
The song might sound ABBA, but the lyrics and the video make it seem like we shouldn't get too accustomed to our instant-gratification culture, especially if the future is as barren and dire as it looks in this video.
A cinderella story, of sorts, where a down-on-her-luck Carly Rae Jepsen imagines herself as a trumphant pop queen. Which is ironic, since she's indeed got those credentials in real life.
The rigors of travel get perilous for our protagonist [hope he gets hazard pay] in the latest from Tame Impala, which may make you think twice about your next plane ride...
How does one modernize a delicate woodland creature? Through dance, of course! “Stole the Night” features a man and his seemingly raised-by-wolves human dancing and going to the discount store so that s/he can nymph it up in style.
Take the movie Drive. Replace movie heartthrob Ryan Gosling with music video heartthrob Daniel Schienert — aka 1/2 of directing duo Daniels — and lose all the violence so that you can fit in way more sexiness. The result is the very short film Boy Racers, which doubles as both a kinda/sorta Metronomy video and a cautionary tale about self-manipulating men in self-driving cars.
As any Bob Dylan could tell you, he is not to be trusted. Especially not in matters of love.
That point gets proven in this film noir homage that's as retro, and unexpected, as this cover of "The Night We Called It a Day" off his Frank Sinatra tribute album, Shadows In The Night.