MNEK's "Paradise" video explores beauty, pain, and makes a powerful statement about police brutality.
Ciaran Lyons, director: "I think the themes of MNEK’s track will resonate with a lot of people. What grabbed me was the underlying idea of the different responses elicited by the chaos of the modern world - the desire to escape from the real world into a fantasy paradise vs the possibility of standing strong and separate from all the madness and cruelty, in the hope of preserving something better. It’s a theme reminiscent of those who “carry the fire” in The Road.
The intention with the video was to echo these themes, while maintaining the ambiguity of the lyrics. Escaping, or standing apart can be seen either as an act of strength and heroism, or callousness and cowardice. So we have this beautiful human walking through a fantasy landscape made from symbols of growth and decay, never stopping, never getting involved, but coming out the other end still intact, and still beautiful."
The latest collab between Astronomyy and ESNAF for 'When I'm With U'. The third instalment from the partnership. Matching the gorgeous, twilight ambiance of the track itself, the visuals have a beautifully murky feel, with a solitary figure moving between twinkling rays of woodland sunlight.
Remaking something like "Do They Know It's Christmas" is undoubtedly daunting in the modern age. Do music starts circa 2014 have the same influence as they did in 1984? Can a charitable effort like this get attention when we're 30 years and seemingly 30 million telethons, concerts and collaborations later?
Unfortunately, the need is still there to raise awareness and money for what's happening in Africa today — this time the primary cause is Ebola, as opposed to hunger — but fortunately mastermind Sir Bob Geldof is still active and still able to galvanize people for a worthy cause.
And while the video is a simple affair in terms of the visuals, it was a complicated process due to tricky logistics and a superquick turnaround: The entire video was shot in tandem with the November 15 recording sessions, with a premiere deadline only 36 hours after the start of the session — leaving less than 15 hours to get to final edit.
Andy Morahan, director: "This was a once in a lifetime opportunity to work with so many incredible artists. The level of talent in that studio was truly awe-inspiring. What Bob (Geldof) is doing is important and changes people‚s lives. Ebola is killing thousands of people in multiple countries and has the potential to affect the whole world on a truly catastrophic scale. The incredible passion with which Bob approaches the Band Aid project is humbling and I am truly flattered to have been asked to be a part of it.
Sheridan Thomas, executive producer: "The whole process, from recording and mixing the track to shooting editing and finishing the film, had to be completed within 36 hours, presenting us with a number of pretty unique technical challenges. The workflow within each and across all departments had to be absolutely seamless to make it happen. There was literally no room for error. I‚m so proud of the Great Guns team and so thankful to many of our regular collaborators, like our two DOPs Tony Miller and Angus Hudson, for pulling off what initially seemed like an impossible feat without a single hitch."
It's likely the all-star line-up that draws you to this remake of "Do They Know It's Christmas," but director Andy Morahan knows not to waste those opening few seconds on mere celebrity; Instead, we get a very direct look at the devastating effects of ebola.
After that we fall into the same model as the original Band Aid video, but with a new generation of stars: Ed Sheeran, Sam Smith, Rita Ora, One Direction, Ellie Goulding and Chris Martin — plus, of course, Bono and Bob Geldof from the original Band Aid, as well.