@katyperry He may be a liar but those hips don’t lie bb 💅🏻 https://t.co/equ7jFrkv3 15 hours 1 min ago
@questlove lol you just bringing a pepsi product into my coke world huh? https://t.co/Bxdad0kpoC 1 day 23 hours ago
@questlove based on talent/live performance/& cannon. of course we listen to music more intense when someone passes that said.… https://t.co/gSM4qCbDtf 23 hours 36 min ago
@JosephKahn I love it. My camera crew unanimously loves it. Check out trailer to TOP GUN MAVERICK. Shot on Venice. https://t.co/9U2elrL2pQ 3 hours 23 min ago
@Videostatic Bishop Briggs "Champion" (Tim Mattia, dir.) https://t.co/B8MWgDunye 1 day 2 hours ago
@questlove this is unfair....weird enough neither of these albums are my fav from any of these artists (i look to you/journey… https://t.co/c0MB70vFoe 23 hours 30 min ago
@JosephKahn Venice is my A camera. Alexa is my B. 3 hours 11 min ago
@JosephKahn One. We are perfect filmmakers. https://t.co/lGGX1v3U8j 1 day 15 hours ago
@jus10p Thank you for having me on. I only said “um” 22 times. That’s a record for me. https://t.co/AWLUtcxJMp 1 day 4 hours ago
@JosephKahn Caption this. @ Sycamore Canyon Beach https://t.co/KVYNDFyGOt 1 day 18 hours ago
@taylorswift13 I am a cat now and somehow that was everything https://t.co/80gZHpvzMW 23 hours 21 min ago
@jus10p Well there is no better time than now to start. See you soon? ;) 1 day 2 hours ago
@davidguetta La sortie est décalée d’une semaine !! Encore un peu de patience 😅 13 hours 58 min ago
@katyperry Proud of my father, Keith for continuing to do the good work and being part of the launch of https://t.co/Qi3NG19mXk 22 hours 32 min ago
@JosephKahn RT : I am truly traumatized just saw a pit bull attack a small puppy!! 😡😡😡 15 hours 10 min ago
@florencemachine Hyde Park, London. 13th July 2019 🌸 photos: Lillie Eiger https://t.co/3DIk1sbh1U 4 hours 53 min ago
@dougstern Whoo! This is some very, very good material. https://t.co/rvZfpXrGvw 1 day 18 sec ago

James Blake

James Blake "If The Car Beside You Moves Ahead" (Alexander Brown, dir.)

Nightriding at the speed of sound...

Alexander Brown, director: "Early on, James explained the song was initially about comparing yourself to other people. Specifically, that feeling when you’re in traffic it always seems like you’re in the slowest lane.

James had this video reference of a guy driving through Moscow that he’d seen online. When I watched it, it had such an incredible quality and smoothness to it. But it was, in of itself, a fairly pedestrian YouTube video. As it turns out - recording your motorway journey and posting it online is kind of a thing. But I knew exactly what made that video stand out and why it felt right for the song. It had a hypnotic compelling quality that I wanted to try and capture. 

The important thing for me was to make a film that wasn’t mundane, but had that magic to it that is present in the music. Every time I drive on the motorway, I am always struck by the way lights reflect on the bodywork of cars. They’re mirrors which distort their reflections, and there is a real rhythm there. It was always in the back of my mind as something that would work in a video. 

We took a completely low fi approach to filming, rather than over engineering anything. Capturing this sort of thing is tricky with a film camera as it’s so dark. So, I shot it using my very basic camera - It was weird to shoot a music video for such a high-profile artist on the camera I normally take with me on holiday. But with conventional cinematography, it wouldn’t have worked the same, and would have blown the budget with all the road closures and permits. Keeping it small meant I could shoot for longer with a much smaller crew – sometimes just on my own.

We didn’t want a car that was too swish, but it needed personality. The car we ended up using for the video is a 1991 Corvette. It’s absolutely insane. The dashboard and the dials look like something from an aircraft carrier. It felt like the designers had probably watched Top Gun and Tim Burton’s Batman and designed a car around it. It really feels like a product of its time. A sort of poor-man’s sports car.

Filming was a long process. It was about a week’s worth of driving around LA and the UK with a camera mounted to the car. I wasn’t sure what I was shooting as the camera was mounted to the glass outside. It’s very disorientating to not know what you’ve actually shot. You need to be really patient and just keep driving. An hour of driving gives you about 2 minutes of footage. Of which maybe 15 seconds of that is interesting.

This is such a homemade film. I shot it all myself and it’s much more of a hands on experimental approach than I’m used to."