Larkin Seiple

Dear Japanese businessmen: Think twice before you go out partying with QOTSA genius Josh Homme. He's a bad influence, even if both nights don't devolve into psychotropical violence.

On the plus side, he is really good at Karaoke and will stick around to help bury the bodies.

You feel great music in your naughty bits. Perhaps starting as a tingle, but then throbbing violently out of control.

Such is the case in this balls-out amazing "Turn Down For What" video, which starts as a dance and devolves into an insane battle of boobs, butts and other junk.

It's never a good idea to cheat on your cult leader. Especially if he has the abs of Alexander Skarsgard. The True Blood actor stars in this new video, showing a fondness for robes and women.

Thankfully, Kool-Aid is nowhere to be found.

We glide forward with the momentum of "Seven Nation Army" along a "Lost Highway," but with a noir vibe all its own and a centerpiece that makes clear that neither Cults member will be able to get back where they began.

This teaser for the upcoming short-film Clapping For The Wrong Reason doesn't provide enough meat to really determine what it's gonna be — perhaps we need one of those "In a world where..." voiceovers — but it does look intriguing with a cast that ranges from Flying Lotus to porn star Abella Anderson, and, of course, actor Donald "Childish Gambino" Glover himself.

Personally, I like to think it's gonna be an indierap mash-up of Slacker and Sunset Boulevard...

Yeah Yeah Yeahs and director Patrick Daughters have transcendently stopped time before — and the intro here proves they can easily repeat the same feat — but they have a different tool in mind to capture that spirit of release: The Empire State Building.

If you're caught up on Sons of Anarchy, then you're likely familiar with Greg The Peg. The one-legged character is played by Kurt Yeager, a former BMX champ and real-life amputee who gets his unique story told in this music video. Shot like a documentary — starring Yeager and many of his friends — director Nez takes us from accident to comeback. And to borrow a phrase: It's not the bike.