Interpreting the album’s vision of "music like sculpture", Hewitt travels from birth to death manipulating three dimensional images of organic life juxtaposed with religious icons, frenetically viewed through 360 degrees. Only the midsection’s soaring, melodic lament offers a respite from the relentless pace; exploring movements of dance through dispersed forms.
On working with Clark, Hewitt said: "I’ve been a big fan of Clark’s for years, having been drawn to the dark, distorted romance of his work. I’m excited by how his brain interprets reality and, in turn, music. Clark is one of the very few people I’d do mushrooms with. I love him that much."