@JosephKahn 21 Jump Street turning into Men In Black would have been lit but you know what would have been better? Rush Hour turning into Men In Black. 3 hours 45 min ago
@JosephKahn The best way to make it in Hollywood is to have a social media account with millions of followers. The best way to… https://t.co/6t5sc0Mw85 1 day 17 hours ago
@A_Listermann RT : This is so fucked up. I pray they fire these 2 officers as they do not protect and serve the people of the United S… https://t.co/4yV7QAqVeQ 1 day 9 hours ago
@JosephKahn They know Indians don't tip. 1 day 5 hours ago
@JosephKahn Nothing strikes fear into my dog more than THE FINGERS https://t.co/vT2tvCb5M5 5 hours 8 min ago
@JosephKahn RT : LGBTQ community complaining that Taylor Swift is “pandering” for sales. Like, lol. Y’all. It’s not pandering when y… https://t.co/xH3N6L8QQX 1 day 10 hours ago
@questlove Cop tix now LA, this ain’t like where I can list you at my own event. Once they sold out.....that’s bo… https://t.co/Y0lzTSMhIV 1 day 1 hour ago
@questlove RT : The only Harriet Tubman $20 bill I wanna see: https://t.co/3qMOklu8uI 1 day 19 hours ago
@JosephKahn RT : Having kids is hard af because credentialism, careerism, consumerism, corporations, and governments are all pushing… https://t.co/hrHqozrXMg 1 day 11 hours ago
@JosephKahn RT : these are the only jokes in like 90% of movies now https://t.co/Qap6VJIK6O 3 hours 53 min ago
@JosephKahn Almost all cab drivers in NYC are Pakistani/Middle Eastern. Aren't cabs avoiding African Americans examples of Paki… https://t.co/XruwrpMmzs 1 day 5 hours ago
@A_Listermann RT : CHRIS BROWN INDIGO (ALBUM) • JUNE 28 FEAT DRAKE OUT NOW: https://t.co/vcY83Hu5l9 https://t.co/WbsnJ8Rhxa 22 hours 7 min ago
@JosephKahn This writer Christina Cauterucci has been endlessly bashing Taylor for years. She's obsessed. Some editor at some p… https://t.co/Q0hEdGhyFw 19 hours 10 min ago
@JosephKahn Once you've had Korean/Japanese rice, I don't know why you'd ever want bread again. 1 day 8 hours ago

Andrew Bird "Sisyphus" (Matthew Daniel Siskin, dir.)

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