March 2014

Wallis Bird "Hardly Hardly" (Lilja, dir.)

Last year, Irish musician Wallis Bird rocked the big stages and festivals of Europe with her powerful mixture of punk, rock and folk. After spending a winter in three studios in three different countries, she is about to release her new album called "Architect" in April. The video of her first single "Hardly Hardly" had its premiere at the German online edition of the Rolling Stone magazine yesterday and is now available on various video platforms.

Did Vimeo Kill The Video Star?

Or, is there a bigger picture here?

The video director Twitterverse fell into an uproar over the past few days with the sudden takedown of many videos for copyright infringement.

Some background info, for those who mostly watch cat videos on YouTube (it's ok, we all do):

Vimeo has become a haven for creatives to showcase their work, thanks to a pristine player, advanced control over where your video gets shared or embedded, and a community of active directors and other artists. There's no advertising; instead it's largely sustained through Vimeo Plus, Pro and Business accounts which give you added features, added storage space and other things which may be necessities depending on your needs.

Do Directors Have the Right to Show Their Works?

Music video directors mostly do Work For Hire, which is a simple, yet loaded term which essentially means: Directors have no ownership or other rights to the content they create. They've been hired, they do the work, they move on.

Before the Internet, directors almost always retained the right to show their work on what was called a Director's Showreel, which would be used for sales purposes in getting new directing jobs. It was a safe careveout since the only way to see one was to call a rep and request a reel; It was an expensive and time consuming process since it usually involved a Beta SP tape. And it's now archaic, since the internet made the physical Showreel as pointless as a DVD or a CD or a 3/4" tape.

In a way, Vimeo has become the modern Director's Showreel, something the site has seemingly encouraged. As opposed to YouTube, where you can upload anything for any reason, Vimeo's upload recommendations require the uploader to have some creative connection to the making of the video (and, have the necessary copyrights and approvals, of course).

So, What Happened?

Many directors who had videos on Vimeo with apparently no problems for years — garnering lots of views, lots of comments and even official Vimeo Staff Picks — suddenly found some of their videos removed for copyright infringement. 

It'd take some serious blinders to not assume this is related to the 2009 EMI Labels lawsuit against Vimeo, stating that . And strangely, the original lawsuit was triggered by lipdubs, but now seems to have gathered steam to cover much, much more. The takeway could be that Vimeo might need to play by the same rules as YouTube — in terms of licensing and takedowns — which could be a sign that Vimeo can no longer be viewed as just an giant online Showreel, or a niche outlet, but something capable of moving the needle and making everyone money.

Except the directors, but that's a different editorial... 

Sage The Gemini "Don't You" (Suj, dir.)

Sage The Gemini's new music video for "Don't You" directed by SUJ, perfectly chronicles that moment in the club when a girl is just not feeling a guy. He may be persistent, boasting about his bankroll or trying to smooth talk her into a drink, just like Sage does in the video, but she hits with those six simple words: "Boy you know I don't want you." No one ever said simpin' was easy. 

Blaqstarr f/ Common "Dear Diamond" (James Kapner & Jamie Moore, dir.)

Blaqstarr, the multifaceted DJ/Artist/Producer, shows off yet another side to his many talents.  Check out the visuals to his new melodic track, "Dear Diamond", where he teams up with legendary hip hop artist Common.  

Blaqstarr just recently released "Blaqfiles", an EP which consists of his early club music bangers.

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