@Videostatic Jon Bellion "Stupid Deep" (Daniel Brown, dir.) https://t.co/74raJPKuX7 1 day 5 hours ago
@Videostatic Mumford & Sons "Beloved" (Charlotte Regan, dir.) https://t.co/GumxpQYuwu 2 hours 19 min ago
@kholy381 While I'm on break check the usual channels for things like the new https://t.co/9PDnkM7sx8 1 day 1 hour ago
@Videostatic Two Door Cinema Club "Talk" (Max Siedentopf, dir.) https://t.co/vRoa8gv2o9 22 hours 6 min ago
@Videostatic Roseaux "I Am Going Home [director's cut]" (Allie Avital Tsypin, dir.) https://t.co/UXvgW6r2XX 1 day 3 hours ago
@Videostatic Fitz And The Tantrums "123456" (Jamie Thraves, Ofir Shoham, dir.) https://t.co/GediXpvGdN 1 day 17 min ago
@Videostatic Yves Tumor "Lifetime" (Floria Sigismondi, dir.) https://t.co/HzsIcPIZh5 17 min 44 sec ago
@Videostatic Karen O & Danger Mouse "Woman" (Spike Jonze, dir.) https://t.co/sVAwPNL870 1 day 2 hours ago

Marshall Street

Disclosure "Holding On" (Ryan Hope, dir.)

The first chapter of Disclosure's Caracal saga (and sophomore album) begins proper after the recent teaser with our introduction to a woman who appears to have Sixth Sense powers - combine this with some Mexican voodoo in a land where it appears, as Zach de la Rocha once rapped, "who controls the past now controls the future" (oh, and some Orwell guy, too).

The Lawrence brothers say that every song on the album may get a video that connects all of them. In fact, "Holding On" is part one of four videos making up a short film from director Ryan Hope. Needless to say, I think all of us here at VS are intrigued with what lies ahead.

Take That "These Days" (Henry Scholfield, dir.)

A tricky video boasting lots of in-camera effects that take you from a bed to outerspace and beyond... all without ever leaving the video set.

Henry Schofield, director: "we want it to feel a bit tongue in cheek, a bit unexpected"... So went the conversation at our first meeting and 10 days later I'm trying to keep a straight face as Mr. Barlow and Mr. Owen stroll onto set with ginger permed wigs, with Howard moments later looking like an uber-tanned auditionee for Towie. 

Besides their every-take-perfect professionalism and their great ideas... I gotta say, the guys are super down to earth and up for not taking it too seriously. Needless to say it was a brilliant experience working with them.

In one shot we're going from studio, to bed, to cheerleaders, to bathroom to kitchen...etc. Some furrowed brows and maybe a moment to two of "will this work" self doubt, but with a dream team of Katie Dolan as EP, Alicia Farren producing,  Mikey Hollywood on production design, Ashley Wallen killer-chroeographer and Ben Todd keeping an all seeing eye on aesthetic, we felt like an A-Team all ready to Macgyver like put it together.