The video for Up For Ran$om takes the aggressive and fast moving vibe of the track and juxtapositiones it against a simple, suave, classic and romantic performance. A sense of nostalgia with a modern bite. As a kid I would always watch the show Top of the Pops every Friday on BBC1. As that show no longer exists, I thought why not bring it back.
We shot the video on an old 3 tube Ikegami, a camera that was actually used on Top of the Pops. I also called upon operator; Dicky Howelett - a TOTP veteran himself to help achieve an authentic and nostalgic look.
New Video directed by Courtney Phillips for Anne-Marie.
From Anne-Marie:
"I worked with Courtney Phillips who's really easy going and fun. I wanted the video to be playful and bold with a tinge of mischief, which he's captured perfectly. The song's about the uncertainties of dating - you know, like when you're not sure if that person is into you and it's all a bit too complex? Yeah, that!" - i-D Magazine.
The video for Eliza and the Bear's new single 'Lion's Heart' sees the band performing on the outskirts of a foggy maze, inside of which a young woman is attempting to navigate her way around, haunted by faces in the hedge and ghostly figures.
Stef & Ivo have created a interesting twist on the lyric video format; in which phrases from the song are projected and painted onto the bodies of dancers to create mesmerising and beautiful visuals. Produced by Alasdair Mitchell & Zebrafish Media.
"Wake Up is a representation of a broken home, broken promises, broken friendships, it is a wake up call to stand up and be aware of what’s around you. The video sees the EofE trapped within a realm of mystery that is also occupied by shadow creatures. The broken relationship of these creatures has an effect on the band, tormenting them with the destructive state of their love affair." - Lewis Cater
"Last Orders reflects on the idea of fate, how every small action plays it part in the 'bigger picture.' I am a huge fan of gritty British cinematography and in this video I wanted to explore mixing old and gritty with the contemporary. The track itself is very descriptive with vivid dark undertones. I wanted to create a narrative that suggestively explores this, connecting the story and performance into one 'big picture."
