Final Cut

Hurts "Lights" (Dawn Shadforth, dir.)

Dawn Shadforth and HURTS reunite for this very special collaboration. From Hunger Magazine, "The artful visual for “Lights” depicts a surreal late night scenario, the dark atmosphere and twisted nature of the protagonists lifted by dreamlike dance routines – a first for the band’s lead singer. It’s a mesmerising string to their bow in the lead up to the highly-anticipated third album."

Ben Khan "1000" (Yoni Lappin, dir.)

For those waiting (so far in vain) for a Twin Peaks reboot, this Red Room homage might hold you over...

Yoni Lappin, director: "Ben came to me with an idea about being at the mercy of a woman controlling him in his dreams. We both loved and connected to the Red Room scene from Twin Peaks as a visual reference for his dream world and used this as a starting point. From there, we carried on discussing ideas back and forth and adding layers. Although it may come across as random, nothing is in there for no reason; Ben actually writes his lyrics on that type writer (although we did spray paint it green for the video) and that's Ben's cat in there too. I hope people keep watching it and picking up on the little things."

Metronomy "Boy Racers" (David Wilson, dir.)

Take the movie Drive. Replace movie heartthrob Ryan Gosling with music video heartthrob Daniel Schienert — aka 1/2 of directing duo Daniels — and lose all the violence so that you can fit in way more sexiness. The result is the very short film Boy Racers, which doubles as both a kinda/sorta Metronomy video and a cautionary tale about self-manipulating men in self-driving cars.

Last Night In Paris "Pure" (Karim Huu Do, dir.)

"This more than just a minor hobby. In fact, this is a life. In fact, this is a family."

And this is more than a music video: It's a devilishly clever set-up that lulls you down a gritty, yet strangely dreamlike street thuggery, before hitting the country where we realize that we're getting sky high with one hell of a drug. And then, SNAP, we're back again, as the lines between filmmaker and actor, particpant and viewer, fantasy and reality, gravity and sanity.