Island

Disclosure "Omen" (Ryan Hope, dir.)

Here we are, two weeks later from the action seen in "Holding On" with director Ryan Hope continuing the sci-fi storyline that looks to bridge all the videos from new Disclosure album Caracal. An equally important milepost is that we're nearly three years on from "Latch," the Sam Smith and Disclosure collaboration that played a monumental role in both artists rocketing to fame. This reunion is sexy and slinky, as is the video, which doesn't get overly concerned with advancing the plot and choosing to focus on Smith in the midst of a dancefloor that approaches the vibe and scale of the Matrix Zion Dance Party.

Mumford & Sons "Ditmas" (Alex Southam, dir.)

Ditmas may be in refence to the Brooklyn neighborhood, but the view finds us in the lovely fields of the Kiev countryside with a horse-whispering warrior and a folk-turned-rock band performing in the round.

Alex Southam, director:: "The Cossack character (Evgeniy) in the video is a genuine cossack raised within a cossack community - part of his work now is to break and train horses so was the perfect subject for our film. Whilst the shoot was pretty brutal and unforgiving - particularly for our hero - we captured something really special, no more so than the moments in the final third of the video where our hero finally becomes one with the horse."

PS: Might there be a part two? Stay tuned...

Disclosure "Holding On" (Ryan Hope, dir.)

The first chapter of Disclosure's Caracal saga (and sophomore album) begins proper after the recent teaser with our introduction to a woman who appears to have Sixth Sense powers - combine this with some Mexican voodoo in a land where it appears, as Zach de la Rocha once rapped, "who controls the past now controls the future" (oh, and some Orwell guy, too).

The Lawrence brothers say that every song on the album may get a video that connects all of them. In fact, "Holding On" is part one of four videos making up a short film from director Ryan Hope. Needless to say, I think all of us here at VS are intrigued with what lies ahead.

Aquilo "Calling Me" (Davis Silis, dir.)

From the director:

The narrative impulse behind ‘Calling Me’ was immediate. A story familiar to us all. There’s a vulnerability we all face growing up. Grappling with who you are. Who you want to become. You’re driven by instinct as much as reacting to what’s going on around you. What others think of you. And that’s the battle we’ve all had to fight.