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July 2013

Justin Timberlake "Take Back The Night" (Jeff Nicholas, Jonathan Craven, Darren Craig for The Uprising Creative, dir.)

And after a clever engagement campaign, Justin Timberlake unveils the "Take Back The Night" video. It's a celebratory clip that takes the pop star through the NYC night — a deserved victory lap for anyone who can can pack Yankee Stadium twice — leading from Uptown Baby to the electric streets of Chinatown. The overall vibe is somewhere between the opening montage for SNL, the Copacabana tracking shot from Goodfellas (that every director seems to want to recreate) and the mid-period Michael Jackson video of your choice.

The Virtual NYC Hunt for Justin Timberlake "Take Back The Night" Begins

There's been a cat and mouse game to every step of Justin Timberlake's 20/20 Experience, with elements either coming completely unannounced, or teased through various clues hidden throughout his web world. This new video for "Take Back The Night" is still just out-of-grasp, but you can check out an interactive map of NYC at takebacktn.justintimberlake.com, which brings you from J-Tim's [ed: Has J-Tim also lost the hyphen like his man Jay Z?] massive Yanee Stadium gigs and into behind-the-scenes of the video, with pop-up styled tidbits about shoot locations and more.

Wanna see the video? Tweet as directed and sit tight. 

It's a smart roll-out, both on a micro level — the twitter gambit virtually guarantees worldwide trending — but if you zoom out you see that Timberlake and his visual/marketing partners at The Uprising Creative — who handled the website(s), the promo clips and even the videos for "Tunnel Vision" and now "Take Back The Night" — have found a way to maintain mystery and heighten expectation in the know everything right now culture of the web.

The 1975 "Sex" (Adam Powell, dir.)

The first version of this video had the younger Manchester quartet performing in black-and-white in a poster-and-picture-clad room. This version.... is different. How? It's in color. And it tells a narrative of two young lovers in a cinema-verite style, which doesn't appear to end well. The old cliche "sex, drugs, and rock 'n roll" is certainly apropos here.

Miley Cyrus "We Can't Stop (director's cut)" (Diane Martel, dir.)

With the original version now in the VEVO Certified zone of over 100 million views, there's no harm in losing views to the Director's Cut that's been newly unleashed.

This time director Diane "Diamond" Martel gets a big title credit upfront — which is more than deserved — and all the product placements have been wisely severed off like a pesky ankle monitor, but it's the other changes that should grab your interest, since A/B'ing the original and this Director's Cut can serve as a lesson in how you can cut two very different videos from the same footage.

This is sexier, more salacious and a bit sillier — for example, a Karaoke segment, which takes up a prominent position — and presents a great What If issue, where you can imagine if this cut would have generated the same response and results as the official version.

Two Hours Traffic "Magic" (Sean Wainsteim, dir.)

If Game of Thrones is designed to get the blood-pumping (heh) then this hilarious Dungeons & Drummers style clip for Two Hours Traffic is meant to generate enthusiastic head-nods and nostalgic smiles. Director Sean Wainsteim has created a narrative around two boy wizards who grow up together, compete for Elvish babes and fight a collection of creatures that only possessors of the Monster Manual will recognize for sure.

HBO to Premiere Jay Z "Picasso Baby: A Performance Art Film" and Releases Preview Clip

That Jay Z video shoot pulls further into focus with a preview of "Picasso Baby: A Performance Art Film" that hints the word "art" equally applies to its surrounding words — it's "performance art" and an "art film." 

We'll get to see the whole thing via a big broadcast premiere, but it's not (m)TV, it's HBO — "Picasso Baby" launches exclusively on HBO next Friday, August 2 @ 11pm, immediately after Jay Z's appearance on Real Time with Bill Maher.

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