Ethan Lader

Mary J. Blige takes the stage in an empty theater as a drone captures her every move.

There's a bit of an "On To The Next One" vibe for this simple stunner — but maybe with much less illuminati influence.

Once they dispense with the Beats integration at the beginning — if only they could do those placements retroactively — this settles into a long, one-take tracking shot through ATL...

Locations change rapidfire around Phillip Phillips, even when a painted flame isn't about to consume him.